The Route Towards Equity.
Inequality has been so pervasive, it has generated so much suffering, disadvantage and injustice, that equality can no longer be the goal. Humanity has now reached a point where we all need to strive for equity and guarantee that there is no disparity in the opportunities some are afforded over others. Only by “leveling the playing field,” by allowing everyone access to education, housing, health care and decent salaries, will we be able to survive as a fair, productive and -yes- egalitarian society.
The exhibit is open to all visual mediums.
About the Gallery:
The Cade Center for Fine Arts Gallery is on the western side of AACC’s Arnold campus, 101 College Parkway. Located on the main floor of the Cade building on West Campus, The Cade Art Gallery at Anne Arundel Community College features seven exhibits a year. The span of exhibiting artists is broad, yet each exhibit is focused by theme or medium. You can encounter an installation project juried by a museum curator, or the latest painting by an AACC student. Since March 2020 the Cade Gallery Instagram account, @cadegalleryaacc has supported the galleries mission with content throughout the year.
Exhibit Juror
Ix-Nic Iruegas - Executive Director of the Mexican Cultural Institute DC
About the Juror
Ix-Nic Iruegas (Mexico City, 1970). She is a member of the Mexican National Art Creators System (SNCA). Translator and cultural manager, she was raised and educated in different countries and languages due to the Diplomatic activities of her parents. She holds a B.A. in Communication at the Universidad Iberoamericana in Mexico City. She has worked in radio and television, and has been a style corrector and researcher for non-fiction books. Since 2001 she started working in the production of cultural and corporative events. She was technical secretary at the Centro Cultural Universitario Tlatelolco, where she was in charge of the operation of the virtual reality installation Carne y Arena, by Mexican film director, Alejandro G. Iñárritu., as well as the commemoration of the 50th anniversary of the 1968 student movement in Mexico. She was director of the Casa Universitaria del Libro, where she coordinated more than 150 activities. She worked at the Cervantino International Festival as PR manager and at the Centro Cultural Roberto Cantoral. As translator, she worked for PR agencies, law firms, museums and NGOs. In 2012 she conducted her first literary translator for the Fondo de Cultura Económica. Since then, she has translated more than 30 books for the FCE and other editorials, including El niño que nadaba con pirañas, by David Almond, which obtained a recognition from the Banco del Libro in Venezuela as the best translation in a children book in 2014; Miedo, by Kevin Brooks; Paisaje con mano invisible, by M. T. Anderson; El árbol de las mentiras, by Frances Harindge; Los hijos del Rey, by Sonya Harnett; Curaduría, by Michael Bahskar, and the anniversary translation of Alice in Wonderland, Lewis Carroll, in collaboration with Mexican writer, Ignacio Padilla, selected by the Banco del Libro in Venezuela as one of The Best Books (Los Mejores) of 2018. She has recently published a translation of Gastronomía e Imperio: La cocina en la historia del mundo, by Rachel Laudan, and a A través del Espejo y lo que Alicia encontró ahí, de Lewis Carroll (fortcoming), as part of her work as member of the SNCA. Executive Director of the Mexican Cultural Institute DC since 2020.
CALENDAR:
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Oct 30 - Call closes
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Nov 5 – Jurying is completed
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Nov 6 – Artists are notified
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Drop Off Artwork Nov 15 and 19 (contact to arrange drop off time.) Must receive shipped artwork by Nov 19. Artists are responsible for paying for and arranging shipping to and from Cade Art Gallery, AACC, attn.: Teddy Johnson, Cade 203A, 101 College Pkwy, Arnold, MD, 21012
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Exhibition: Dec 2, 2021 - Jan 28, 2022 (Gallery is closed Dec 20 - Jan 7 for AACC's winter Break)
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Dec 8, 5-7 public reception and juror talk
ENTRY REQUIREMENTS:
Submit up to 5 artworks and an artist statement for each work. Artwork may be in a media of your choice.
All accepted work must be ready to hang or display. Two-dimensional work must have a braided picture wire on the back. Fragile media should be under plexiglass. Installation art must be prepared by the artist or have instructions that are easy to follow. The gallery has a flat screen video and access to some types of video equipment, including a projector. The gallery reserves the right to refuse any piece that is improperly presented. All works are insured against physical damage or loss, from receipt through designated pickup time. If art is shipped to the gallery, the artist is responsible for shipping costs both to and from the gallery.
Artwork must be available from Nov 2021 - Feb 2022. Artists selected for the show are responsible for shipping the artworks to the gallery and providing a prepaid return shipping.
Artists over the age of 18 working in all media are eligible to apply.
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