s'LOTTERY!
An apparently irresistible urge to immediately exhibit every sketch, doodle, pencil smudge and curlicue that pop into an artist's brain seems epidemic in Baltimore, which may or may not be a good thing.
Snow / Hwang / Studio
The show at Maryland Art Place through March 13 presents a group of artists at different stages of their careers whose works nevertheless complement and enrich each other.
Read Review by the Baltimore Sun ›Moving Walls
Moving Walls, the revelatory exhibition that opens tomorrow at Maryland Art Place, is a serious show about a serious subject that too often gets short shrift in an art world obsessed with celebrity and glitter.
Read Review by the Baltimore Sun ›18th Annual Critics' Residency Program: Six Plus Two
This year's annual critics' residency program sponsored by Maryland Art Place aimed to bring a distinguished arts commentator to town to work with local writers in curating a show of new and emerging talent.
Read Review by Baltimore SUN ›Our Perfect World
It’s always nice when curators successfully coax a slew of different artists, approaches, subjects, and media to huddle together under the same conceptual umbrella.
Read Review by City Paper ›2nd Annual Curators' Incubator
Ladies and gentlemen, we have a tie. A three-way tie, to be precise—faced with 20-odd particularly compelling show proposals, the panel responsible for selecting a fresh, up-and-coming curator to take on Maryland Art Place’s second annual Curators’ Incubator exhibit decided to fuse three independent visions into one interrelated experience.
Read Review by City Paper›2nd Annual Curators' Incubator
The group show at Maryland Art Place grew out of the gallery's Curators' Incubator program, which gives aspiring arts professionals a chance to choose artists and design exhibitions of their own conception.
Read Review by the Baltimore Sun ›Kain / Moe / Sigler
A photograph spotted on the Internet inspired South African sculptor Ledelle Moe to create a colossal head of steel and concrete and dedicate her work to the thousands of young men who met violent deaths during Africa's civil wars, including those who died in the struggle against apartheid.
Read Review by the Baltimore Sun ›Athena's Daughters
It may seem odd that renowned Baltimore painter Grace Hartigan, who made her reputation as an abstract expressionist (flat, flat, flat!) in New York in the 1950s, today is mentor to any number of younger artists who (gasp!) actually like figures, perspective and the subtle interplay of light and shadow.
Read Review by the Baltimore Sun ›